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Lord of Emperors by Guy Gavriel Kay
Reviewed by Lawrence D. P. Miller
Sequels generally attempt to meet two separate goals: to continue and expand
on the story of the predecessor, and to shine as a work of fiction in its
own right. Seldom does a sequel come along that meets both goals so
completely as Guy Gavriel Kay's Lord of Emperors, the sequel to Sailing
to Sarantium.
This is Kay's second novel in the two-novel series set in and around
Sarantium, based not surprisingly on Earth's Byzantium and capital of
Constantinople. History buffs will be entertained by the detail Kay uses to
describe the environment, and especially the mosaics of protagonist Crispin.
This is not, however, a strictly historical novel; Kay's use of fantasy
interwoven with historical themes allows us to enjoy the historical elements
without holding him to earthly reality.
Crispin, the artisan who answers a royal summons and travels to the capital city during the first book
of the series, remains an actively developed player in this second novel.
It is the cast of new characters, and characters who were merely window
dressing in the previous book, who come alive to steal the show in Lord
of Emperors, however. Heading up the new cast is Rustem, a physician
who has travelled to Sarantium from neighboring Karakek with his own
agenda, and possibly a few others as well. Scortius, the charioteer who
served mostly as window dressing in the first novel, takes center stage
here, much more than a Jungian archetype come to life.
While much of the action involves new and newly developed characters,
Crispin, the hero of Sailing to Sarantium, is by no means forgotten. The
creation of his grand mosaic echos the action of the story, as Crispin makes
progress, falters, recovers, falters, and recovers again and again. He
remains our popular everyman hero, alternating clandestine meetings with
various royalty and details of a mosaic of staggering beauty in the making.
Kay built a world in Sailing to Sarantium, much of which remained blank
and unexplored. In Lord of Emporers, he adds fullness and depth to the
lands he has created, akin to Crispin's own detailed work on his own
masterpiece.
© 2000 Lawrence D. P. Miller. All Rights Reserved.
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